This year, Alex Brubaker started First Fridays, an event to help campus musicians gain experience performing actual sets instead of just single songs at Coffeehouse. Each month he hosts a few artists either outside the Union on the patio or in the Fishbowl. Sometimes he brings in outside guests, which have included Suzi Brown and Joseph Strider. I've made it out for a few, but for some reason haven't gotten around to reviewing them and probably shouldn't try to remember that far back to do one after the fact.
This month featured Matt Wagner, Natalie Ness, and Jeff Waters. Wagner opened up, bringing along a few accompanying musicians for some songs as he did at the Sycamore House show. His guitar work was more complex than the average singer-songwriter, probably because he's a music performance major. He closed the show with an acoustic rendition of his dance-pop tune "Vienna", which has since become a staple in my indie-dance sets. Next up was Natalie Ness, a regular performer on campus whose multi-instrumental performances always bring a mix of originals and covers rearranged to fit better with them, like her popular medley of Lady Gaga songs. Closing out the evening, my RA from freshman year, '08 homecoming king Jeff Waters returned to campus with an abundance of new material written since graduating. The focus of his latest album is on travel, as all of the songs were written while aboard planes, trains, and automobiles or backpacking across Europe. Standout tracks "Manhattan Blues" and "Postlude" were as beautiful live as they were when I first heard the demo recordings, as Waters' perfect pitch never failed us. Be sure to come out to the final First Friday on May 6 for another evening of local music curated by Alex Brubaker.
Every once in a while an artist is impressed enough by what I've said about them here to link to it or quote it in one of their media outlets. While many might post a link on Facebook or Twitter, a few have paid me the respect of doing so in a more permanent way:
Will Gray has a great documentary out about the music business called *Broke. It features interviews with everyone from John Legend to vice presidents of labels like Sony and Columbia.
My second time providing audio for a SALT House Concert was actually at the Reconciliation House. Phil had booked Jamie Kent & the Options and Chicken Little to play on a Tuesday night, and then found out he had to go on a required field trip to NYC for a class that day. Resulting lack of publicity and coordination led to Jared and I hanging out with Jamie Kent and his band at the Recon House until more people got there. When "more people" meant one girl, one guy who lived there, and Chicken Little, we decided it would be better to kick this punk rock style and have them play an unauthorized show onstage at the Union.
Jamie Kent & the Options captured the attention of those eating and studying around the room quickly with their breezy, upbeat blues-folk, good humor, and a singalong Beatles cover. Their set ran into the time for our radio show, so Jared went and kicked things off on-air while I watched their merch. Just after Chicken Little took the stage to play what I can only describe as polka punk, I took Jamie's trio into the V to set them up for a live performance. The duo had the Union clapping and stomping along in no time; I only wish I had gotten to see more of their set.
Having two bands on air was complicated by the fact that we already had two artists scheduled to come on the show to interview/perform to advertise an upcoming show at The Station: Stacey Dee and Suzi Brown. Somehow we managed to squeeze in a few songs from each artist, DJing occasionally in between. Stacey and Suzi collaborated on each other's singer-songwriter material and Suzi played some intense fingerstyle guitar (a la Kaki King), and we ended the night by recording all of them doing a liner for The Fox and the Hound Show that you should be hearing on air next semester.
