Showing posts with label Taking Back Sunday. Show all posts
Showing posts with label Taking Back Sunday. Show all posts

6/27/09

Show Review: New Again Tour



Last weekend I finally saw Taking Back Sunday live at the Electric Factory. I got tickets from a friend in exchange for a ride and met some other friends there.

Opener Envy on the Coast was one of the more unique bands I've heard recently. Their rapidly changing rhythms, propelled by a bass player who looked as if he was making love to his instrument despite its unusually high placement on his body, backed interwoven vocals from a charismatic frontman, keyboardist/guitarist, and second guitarist. The frontman's dreads, tan, and long arms evoked Tarzan at times as he leaped around the stage, crouching down to draw the crowd in until they erupted, singing along to the band's most major hit as members of Taking Back Sunday joined them onstage for the catchy chorus.

Anberlin was, as always, phenomenal. Playing a mixture of old and new material, along with a cover of New Order's "True Faith". Stephen Christian's between-song banter kept the crowd going as the band flew from one anthem to the next, much of the crowd singing and dancing along throughout. Here's a brief clip of the cover song:








When Taking Back Sunday finally took the stage, the crowd went nuts. Primarily composed of radio rock listeners and others who weren't accustomed to shows or up on the latest music, they were there for the headliner. The older members of the crowd, the diehard fans (including, according to an Anberlin shout-out, members of Bayside and Straylight Run; according to my sight, members of The Color Fred), only really got excited for the old material, while the majority of the audience loved the new material. Adam Lazzara's voice started going a few songs in, and was essentially gone by the epic encore, during which members of Envy on the Coast finished singing songs for him. "Cute Without the E", one of their classics, was made into a medley with a newer song, and they refused to play "There's No I In Team" despite many requests, since the feud with Brand New has long since ended. The mosh pit was dominated by drunken idiots ripping off their Abercrombie shirts, but a few old fans kept it going throughout. Despite all this, it was still quite the experience, with thousands of fans singing along with well-known songs as if their lives depended on it. And I can't lie, I've been waiting to see TBS live since I first started listening to music. They did make it interesting with jokes about the band and the Jonas Brothers, along with more enthusiastic performances from the younger members of the band, but the verdict is as follows: If you've seen them before, don't see them again. Let those memories remain pristine. If you haven't, get them while you can-Lazzara's voice won't make it for another tour.
(photography courtesty of my sister Amanda)

2/16/09

Show Review: Mae & The Color Fred

Hey! Sorry I didn't get around to this sooner, I was entertaining my sister for lil' sibs weekend here at school, which awesomely coincided with the Mae show...

For anyone not familiar with the bands, The Color Fred is the current band of Fred Mascherino, who was in Philly punk band Brody, Philly emo band Breaking Pangaea, and most famously replaced John Nolan as guitarist/back-up vocalist for Taking Back Sunday when Nolan left to form Straylight Run. Mae formed in Norfolk, Virginia in 2001, has released 3 full-length albums (Destination: Beautiful and The Everglow on Tooth & Nail, 2007's Singularity on Capitol), and is currently releasing one song a month via their website as a charity benefit for Habitat for Humanity, since they are no longer on a record label.

Interestingly enough, I was told by members of the band that the show here at Messiah would be former (and recent touring) bassist Mark Padgett's last show with the band. He will be replaced (touring) by Josiah Schlater of Virginia Beach's Tokyo, touring keyboardist Robert Smith's band.

The show was a lot of fun, despite the complete lack of moshing. The music, luckily, was enjoyable for its own sake. The Color Fred opened up with a high-energy set of Mascherino's music, fully fleshed out with a touring band (He told me the next tour will be solo and acoustic). Catchy hooks were easily picked up and people were singing along despite the fact that most had never heard/seen them before.

Mae started off with one of their lesser-known songs, then a completely instrumental number before seguing into their more popular material with songs like "Embers And Envelopes", closing with "Someone Else's Arms" before an encore of the obscure fan favorite "Tisbury Lane". They have an amazing ability to replicate their sound on CD live, as well as improvise and arrange for the live show, but the deviations are always intentional. They are consummate musicians.

It was a great show, though I would suggest seeing both bands in more mosh-conducive venues unless you are extremely familiar with their music. Though both bands put on a good show, The Color Fred is definitely more of a performance-oriented group, as many Mae songs can become shoegaze anthems-a difficulty they handle fairly well with video and visualizations projected on a screen behind them.

Check out this video of The Color Fred performing "Get Out" Saturday night (courtesy of Colin Riddle, otherwise known as McLovin):